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Stefan Jonsson

Professor, Head of Division

My research takes place in the nexus of social and historical processes through which identities are constituted and transformed and engage art, literature, political history and theory.

Critical Cultural Theory and Collective Identities 

Stefan Jonsson鈥檚 research is multidisciplinary with a base in critical cultural theory and aiming toward an understanding of the social and historical formation of collective identities. Originally a scholar and critic of literature, aesthetics, and intellectual history, Stefan has increasingly focused on the social and historical processes through which identities are constituted and transformed in the crossroad between the psychic and the political or the social.

Stefan Jonsson is Professor of Ethnic Studies at REMESO. He received his Ph.D. from the Program in Literature at Duke University, USA, in 1997. Between 1998 and 2000 he was a fellow in residence at Getty Research Institute in Los Angeles, and in 2006 Visiting Professor at University of Michigan. He has also been associate professor of aesthetics and research leader in cultural theory at S枚dert枚rn University, Sweden.

Together with professor Peo Hansen, Jonsson is working on a project about the colonial prehistory and legacy of the European Union; their widely acclaimed Eurafrica: The Untold History of European Integration and Colonialism was published in 2014 and was recently published in French translation (Editions La D茅couverte 2022).

He also conducts research on 鈥榯he category and fantasy of 鈥榯he masses鈥 and 鈥榯he people鈥 in European culture, which has resulted in A Brief History of the Masses: Three Revolutions (2008) and Crowds and Democracy: The Idea and Image of the Masses from Revolution to Fascism (2013) both from Columbia University Press. This line of research continues in new projects, one on 鈥榤onstrous events鈥 with a focus on collective political protest in 2011 and after, another one on the ways in which art and literature help us understand democracy, politics, migration and other collective phenomena, and a third one 鈥 in artistic research together with visual artist Anna 脜dahl 鈥 on visual representations and computational simulations of collective agency. He is also involved in a European project on the consequences of digital infrastructure for our imagination of nation, belonging and boundaries.

Stefan has written extensively on racism, multiculturalism, identity politics, postcolonial culture, and globalization. He frequently appears in Dagens Nyheter and other major Swedish media as cultural critic and commentator.

Co-authored with Sven Lindqvist is his book on the documentary, and its approach to life and society as well as urgent issues such as democracy, racism and the legacies of colonialism: Sanningskonst: Samtal om ett f枚rfattarskap [The Art of Truth] (Bonniers 2018).

In D盲r historien tar slut: Makt , monster och motst氓nd i en delad v盲rld [Where History Ends: Power, Monsters and Resistance in a Divided World] (Norstedts 2020) he uses film, literature and art in order to capture the colonial relation between the different parts of a broken world. This book was awarded the Albert Bonniers Essay Award.

In 2022 Jonsson published Den otyglade sk枚nheten: 5 saker vet om demokratin [Beauty Unreined: 5 Things Art Knows About Democracy](Norstedts), a research essay on the importance of art and imagination in our efforts to realize equality, democracy and social justice.

Stefan Jonsson is Head of Division of REMESO and teaches in the doctoral and master鈥檚 programmes in Ethnic and Migration studies.

Publications

Books in selection

Publications in selection

2026

Stefan Jonsson (2026) Imaginings of Europe: Culture, Dreams, Solidarity, p. 179-187 (Chapter in book)
Peo Hansen, Stefan Jonsson (2026) Postcolonial?, p. 149-155 (Chapter in book)

2025

Stefan Jonsson (2025) Historief枚rfalskarna: l枚gnen som vapen mot demokratin, p. 99-123 (Chapter in book)
Stefan Jonsson (2025) Ritwik Ghatak: Occasional Essays for a 100th Birthday (Chapter in book)
Stefan Jonsson, Peo Hansen (2025) Euro-Vision: Undergrounding the Critical Mineral, p. 64-75 (Chapter in book)

Research

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How migration shapes and reshapes societies

If we view migration as a deviation from the norm, as a problem or an exception, it is easy to see the immigrant as an intruding stranger, even a threat. If, on the other hand, we view migration as a normal feature of our history, we tend to greet the migrant as a human being like anyone else. Research on the history of migration leave room for little doubt: there is no society without migration, no society where people haven't moved, whether it is by their own free will or because they are forced to, in search of opportunities and resources, in order to trade or survive. Human mobility is an inescapable and essential part of human history.

Research projects

Ongoing

'The Social Life of XG: Digital infrastructures and the reconfiguration of sovereignty and imagined communities', CHANSE鈥揊orte, 2023鈥

'Collective Agency in an era of Authoritarian Automation: Artistic Research on Protest, Populism, Migration and the Computational Simulation of Crowds鈥, VR 2022鈥

'Cultures of Rejection', Volkswagen-Stiftung 2019鈥2023

'How Art and Literature Help Us Understand Democracy, VR 2018鈥

鈥楳onstrous Events: Aesthetic Dimensions of Collective Political Protest, 2011 and after, RJ 2018鈥

鈥楶ostcolonial Settlement: Africa and the EEC in the Hour of Decolonization, 1957鈥1965鈥, (with Peo Hansen), 2017鈥

鈥楽hapes of Racism: An examination of the relation between everyday racism and racially motivated hate crime鈥, 2018鈥

Completed

鈥楤uilding Eurafrica: Reviving Colonialism through European Integration, 1920-2007鈥, with Peo Hansen, 2011鈥2015. Vetenskapsr氓det. Listen to EURO-VISION:

鈥楨uropean Integration and European Colonialism: Reconstructing a Historical Relation, Deconstructing a Current Historiography鈥, with Peo Hansen, 2007-2010. Vetenkspsr氓det.

鈥楥ultures of the Crowd: Ideas and Images of the Masses in European History鈥, with initial support from the Getty Research Institute and the Humanities Laboratory, Stanford University, 1998-2010.

鈥楴arratives of Europe: Perspectives from its North-East Periphery鈥, with scholars from S枚dert枚rn University, 2011鈥2015. Directed by professor Johan Forn盲s.

鈥楢ustere Histories: Social Exclusion and the Erasure of Historical Memories in European Societies鈥; 2013鈥2015. (with Julia Will茅n).

鈥楾ime, Memory and Representation. A Multidisciplinary Program on Transformations in Historical Consciousness鈥, financed by Riksbankens Jubileumsfond and organized by S枚dert枚rn University, 2010-2015.

Man in refugee camp behind the Belgrade Central Station

Institute for Research on Migration, Ethnicity and Society - REMESO

REMESO conducts research with a multilevel approach to the understanding of migration, ethnicity and society.

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